Introducing Traverse, our newest addition.
In collaboration with Anne-Claire Petre Design, the Traverse range brings together Anne-Claire Petre and Mark Tuckey in a shared exploration of considered design and enduring craftsmanship.
Traverse 'To Cross' - Like the structures that inspired its form, Traverse was designed to bring people together - encouraging conversation and creating a space for gathering, connection and everyday rituals.
Crafted to order from our range of solid timbers and finishes, Traverse Table and Bench Seat were designed to sit comfortably across residential and commercial interiors.
On The Design Process: with Anne-Claire Petre
Mark Tuckey: The most impactful collaborations often start with an instinctive alignment. Where do you think our approach naturally met?
Anne-Claire Petre: We both advocate for Australian manufacturing, have a passion for working with timber, and share a deep respect for the material. I’d say we’re both drawn to simplicity and allowing the materials to do a lot of the talking. Not that the design aspect is secondary; it’s about finding the sweet spot so that the aesthetic and the material are beautifully balanced.
Mark Tuckey: Traverse feels pared back but still carries a real sense of presence. How did you arrive at that balance between restraint and maintaining a strong sense of architectural intent? Was there a moment where taking something away gave the design more clarity?
Anne-Claire Petre: Traverse had a sense of simplicity and minimalism from the start. It was more about playing with proportions and finding the right curve for the rail so that it made sense visually and structurally. I wanted the rail to feel quite imposing, carrying the concept of the bridge but without looking too heavy.
Mark Tuckey: Traverse has a distinctly architectural quality. Were there ideas around structure that shaped the range from the outset?
Anne-Claire Petre: I was looking into load-bearing features found in architecture and engineering and thought of the table and bench seat as mini structures. A bridge design that particularly appeals to me is the Garabit Viaduct by Gustave Eiffel in France, which has this beautiful arch and minimalist aesthetic.
Mark Tuckey: The bridging rail follows the arch in grain pattern, reinforcing the curvature of the form. What led you to that detail?
Anne-Claire Petre: For me, trusting and relying on the manufacturer’s knowledge of materials and their processes is key to a successful product. Every maker and manufacturer has their own way of working, depending on their machinery and capabilities. When the rail component was explored during development, I was completely on board with the process and especially the beautiful grain pattern it led to.
Mark Tuckey: Timber has its own character and limitations. How much did the material shape the final form?
Anne-Claire Petre: The arch was a key feature of the design and narrative, so we had to find a way to adapt the material to the form. This is where the lamination of the rail plays an integral part the structural and visual characteristics of the design. I love that the Traverse range pushes the boundaries of what you can do with timber but in the very subtle way.
Mark Tuckey: When designing for longevity, beyond the way a piece is made, what do you think gives design lasting relevance.
Anne-Claire Petre: Personally, I aim to keep my designs simple, considered and detail driven.
Discover Traverse Table and Bench Seat.
Design in collaboration with Anne-Claire Petre Design. Discover Traverse Table and Bench Seat.
Photography, Lillie Thompson, The Art Line. Workshop Photography, Lucas Allen.